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Artist:Iron Maiden
CD Grading:Mint (M)
Record Label:BMG / Sanctuary Records
Release Title:Seventh Son Of A Seventh Son
Case Type:Gatefold Digipak
Custom Bundle:No
Case Condition:Mint (M)
MPN:4050538427110
Inlay Condition:Mint (M)
Catalog Number:538427112
Edition:Digital Remaster,The Studio Collection,2015 Remaster,Remastered
Type:Album
Format:CD
Language:English
Release Year:1988, 2019
Style:Rock,Metal,Album Rock,New Wave of British Metal,British Metal/NWOBHM,Hard Rock,Heavy Metal,Power/Progressive Metal
Features:Digipak,Remastered
Genre:Hard Rock,Heavy Metal,NWOBHM British Metal,Metal,Rock
Country/Region of Manufacture:United States
IRON MAIDEN SEVENTH SON OF A SEVENTH SON The Studio Collection AUDIO CD BRAND NEW FACTORY SEALED Sanctuary Records 538427112 UPC | 4050538427110 1988, 2019 ♪ Produced, Mixed and Engineered by Martin Farmer Birch TRACK LISTING 01. Moonchild 02. Infinite Dreams 03. Can I Play With Madness 04. The Evil That Men Do 05. Seventh Son Of A Seventh Son 06. The Prophecy 07. The Clairvoyant 08. Only The Good Die Young Iron Maiden’s last album of the 1980s was also the last album of their classic era. They concluded the decade with a masterpiece: Seventh Son Of A Seventh Son. But one need not have worried. Opening with the haunting strumming of an acoustic guitar and the nursery rhyme of Seven deadly sins, seven ways to win…, Seventh Son Of A Seventh Son sees the band in top form. The sonic experimentation that began earlier with the Somewhere In Time record, blossoms here into what is possibly the most cohesive and epic album the band would ever make. If Killers (1981) and The Number Of The Beast (1982) are sister records, and Piece Of Mind (1983) is partnered with Powerslave (1984) in the same way, Seventh Son Of A Seventh Son has several sonic attributes in common with its predecessor Somewhere In Time. The proggy arrangements of some tracks, and the addictive hooks of others. The sound is layered with thick guitars courtesy of Dave Murray and Adrian Smith, while never allowing Steve Harris’ bass to fade into the background. The synthesizers still figure, as in the majestic intro to Smith and Dickinson’s sinister album opener Moonchild, but the keys seem somewhat better adjusted to the classic Maiden sound than on the previous album. When the opener gives way to Harris’ otherwordly Infinite Dreams, one of the greatest Maiden songs ever to disappear from live set lists, the album really hits its stride. The classy songwriting continues in the shape of the singles Can I Play With Madness and The Evil That Men Do, crowd-pleasing numbers that build on the foundations Smith laid down on Somewhere In Time, but add the quirks and signatures of Dickinson and Harris. Indeed, a central feature of the album is the fact that the songwriting has not been this integrated since Piece Of Mind. Amazingly, Seventh Son Of A Seventh Son is this line-up’s fourth studio record in five years! If you add Live After Death (1985) into the equation, Iron Maiden have released a total of seven studio records and one live album in eight years, all of which score high. Recorded at Musicland Studios in Munich, Seventh Son Of A Seventh Son is Iron Maiden’s crowning achievement. The overall vibe is not as stiff as on the previous record, the band seemingly more playful and inspired. Dickinson’s singing sounds firmly present once again, and he also co-writes the excellent but obscure album closer Only The Good Die Young with Harris, the track that tops any list of deep Iron Maiden cuts. Murray and Smith keep up their tradition of delivering faultless guitar work, both acrobatic and atmospheric, with the Murray and Harris-penned The Prophecy being a prime example of the latter, oscillating between anxious melodies and Black Sabbath-like muscular riffs. For many metal fans, Seventh Son Of A Seventh Son would simply be the last great album Iron Maiden would ever make. For Maiden fans, this is obviously not a straight-forward issue, but most would probably agree that the album featured their last truly great packaging and artwork, with another masterpiece delivered by Derek Riggs: And indeed, this might have been the last time that the visuals of the packaging so perfectly fit the music and themes on offer. In every aspect, the last Maiden album of the 1980s is a triumph, and the ethereal beauty of Riggs’ artworks captures the spirit and mystique of the album’s subject matter, as in the excellent single cover for The Evil That Men Do: Time would show that this album project was the last great work Riggs did for the band, taking Eddie to the very limits of existence from where there was really nowhere to go. And Riggs would never again have such magical music and lyrics to provide the basis for visual creation. Not only is the playing some of Maiden’s best ever, with Nicko McBrain’s masterful drumming pushing on and holding back with faultless precision, but the songwriting shines. As this earlier Maiden Revelations feature argues, Seventh Son Of A Seventh Son is one of those great metal albums that came out at a time when metal was about to go through a painful transition into the 1990s. From this point on, Maiden’s star would be in descent, but the 1988 album shows them at their very best. Eddie’s journey seems to end in paranoid madness in the Derek Riggs illustration for The Clairvoyant. Harris himself turns in his best work since Powerslave with the aforementioned Infinite Dreams and The Clairvoyant, as well as the title track. Trying hard once again to compete with Rime Of The Ancient Mariner of four years earlier, Seventh Son Of A Seventh Son is Harris’ second best epic ever, and even gloomier than its predecessor. The album might be Maiden’s heaviest and darkest ever, with all the songs sitting well with the Seventh Son subject matter that initially inspired the writing sessions. In fact, Seventh Son Of A Seventh Son is Maiden’s first and only intentional concept album, with all the songs relating to the drama of the life and death of the psychic title character. The album does not present a narrative, like Queensr che’s awesome Operation: Mindcrime which was released the same year, but in a sense it’s a relief that the story behind the music is more free-flowing and less rigidly scripted. It’s clear: By 1988 Maiden seemed to be acutely aware of the musical legacy they had built, and they also seemed to know how to keep building on it. It was therefore a bit of a surprise that the band chose to change direction quite radically for their Seventh Son follow-up in 1990. Seventh Son Of A Seventh Son is a masterpiece that rounds out a decade of music as close to perfect as any metal band will ever get. SHIPPING TO USA ONLY Buyer Pays Shipping 1st CD $3.99… each additional $1.50 CDs will only be combined with other CDs or DVDs To qualify for the combined discount, all items must be purchased together, paid for with 1 payment, and shipped all together in 1 shipment. 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